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Latent Memory

OCTARR is very proud to present Latent Memory: the first work in Harto’s Memoria Viva series, printed on paper made from Dara, our 350-year-old French oak.

July 7, 2026
News
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Living Heritage
Dara
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The 350-year-old “Arbre Remarquable” French oak from the Forêt d’Écouves, planted by order of the Sun King, Louis XIV, and which we have named Dara, will officially launch later this year, in October in London.

Her first children are equally remarkable: beautiful pre-industrial, non-chemically treated, handmade sheets of 50 x 70 cm paper from the brilliant and creative papetier Frédéric Gironde of Ruscombe Paper Mill in Bordeaux.

Her first grandchild was unveiled at a private dinner at the Kunstmuseum, which houses the world’s oldest public art collection, dating back to the same time as Dara herself.

Harto and the Sigg Art Foundation

The Sigg Art Foundation, a wonderful initiative by the Swiss entrepreneur and philanthropist Pierre Sigg, aided by his daughter Maurine, supports and promotes a number of cutting-edge artists. One of them is the Barcelona-based Harto, with whom OCTARR is developing a close and deep working relationship.

On a night which also unveiled a massive sculpture by someone extremely well known, but who must for the time being remain a secret, Harto presented the first work in a ten-work series, Memoria Viva, entitled Latent Memory.

It is printed on OCTARR’s Dara paper.

Latent Memory
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Latent Memory by Harto, installed
Harto
2026
AI reading, generative code and plotter drawing on DARA paper
50 x 70 cm | 19 5/8 x 27 1/2 in.
Not for sale
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DARArtNouveau at ArtOnPaper 2026
artonpaper-2026
October 2, 2026
October 4, 2026
Georges Braque Fragments
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144 fragments of Georges Braque's The Last Teapot, each a unique physical print with its own Bitcoin ordinal inscription.
DARArtNouveau
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Seven contemporary artists respond to DARA, a 350-year-old French oak. Each work is a triptych: an 18th-century Cassini map, a plate from an 1895 herbarium, and a new work on handmade paper made from DARA's wood.
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