The Last Teapot by Georges Braque

We discovered an overlooked masterpiece by the co-founder of Cubism

A Masterpiece Rediscovered

In the final years of his life, Georges Braque produced only a handful of paintings. Although his oeuvre is documented in a comprehensive seven-volume catalogue raisonné, the last six years of his creative activity remain uncatalogued. We believe our painting marks the beginning of this undocumented period, and that Braque continued working on it until his death in 1963.

While many of his late works are intimate landscapes, Braque ultimately returned to his lifelong passion: still life - and one of his most cherished subjects, the humble black teapot, which he painted numerous times. We believe his final depiction of the teapot is also his most abstract, reflecting his growing fascination with American Abstract Expressionism and Zen philosophy.

Research Reveals

Théière avec Raisins" (Teapot with Grapes) was displayed in the backroom of a Christie’s Impressionist and Modern art sale in London, incompletely titled and incorrectly dated.

Quentin Laurens, the rights owner to the Braque estate and the sole authenticator, confirmed directly that the painting was in Braque’s studio at the time of his passing in 1963 and was unsigned as it was never offered for sale.

Standing before it, we were struck by its dimensionality - paint and texture erupting from the surface in layers that could only come from extended creation.

We uncovered a photograph as part of a MoMa exhibition of Alexander Liberman (29th October 1959) which subsequently became the front cover of his seminal book The Artist in His Studio - featuring essays and photographs of the greatest artists of the day. In the organised chaos which was Braque’s studio, our painting, at an earlier stage of execution, is prominently displayed.

The Collection

We zoomed in. Extreme magnification revealed the enormous range of colours, layers and textures that cannot be easily seen with the naked eye.

This has inspired us to create 144 unique artworks printed on our one-of-a-kind paper made out of a 350 year-old oak tree, signed, numbered 1/1 with their blockchain authentication and chain of provenance directly linked to the original painting. The Georges Braque Fragments exist in both physical and digital form.

Why fragments

  • You receive your unique Teapot Fragment printed on our one-of-a-kind paper made from a salvaged 350 year-old French oak tree, signed, numbered 1/1 with its blockchain authentication and chain of provenance directly linked to the original painting.
  • You receive full, transferable ownership of your digital Teapot Fragment with the freedom to sell or gift it at any time.
  • Enjoy free access to the original Georges Braque Teapot With Grapes painting wherever it is exhibited.
  • You receive complimentary Platinum membership with OCTARR, including priority access to all future projects.

Artwork's Passport

Artwork Information


Artist:
Georges Braque
Title: Théière avec Raisins (Teapot with Grapes)
Date: circa 1957-1963
Technique: Oil and Sand on Canvas
Dimensions: 46 x 29.2 cm

Bitcoin Ordinal


Inscription ID:
ecc81046ddb7a3cc7f8c0f516090ad6430d4cc6bffb7543e1cb4f45c5685b5c2i0
Sat number:
368,540,685,760,567
Date: February 22 2025

Provenance


1963:
Galerie Louise Leiris [Daniel-Henry Kahnweiler], Paris.
1975: Sala Gaspar, Barcelona.
1975: Private collection, Germany. Acquired from the above sale.
2009: Christie's, London.
2009: Private collection, Switzerland. Acquired from the above sale.
2014: Christie's, Paris.
2014: Private collection, United States. Acquired from the above sale.
2018: Christie's, New York.
2024: Acquired at Christie’s London.

Exhibited

Barcelona, Sala Gaspar, Georges Braque, 19 pinturas de 1919-1962, January 1975, no. 18 (illustrated).
14-year-old prodigy from South Korea receives Nathan Waks’ 18th-century master cello
jung-a-kim-receives-nathan-waks-cello
At the close of the inaugural Classic Cello International Competition in London, 14-year-old Jung A Kim received a prize no competition had offered before: the loan of Nathan Waks’ 18th-century Italian cello.
carcassi-cello
News
Latent Memory
latent-memory
OCTARR is very proud to present Latent Memory: the first work in Harto’s Memoria Viva series, printed on paper made from Dara, our 350-year-old French oak.
dara
News
Air on a C String
air-on-a-c-string
The first in a series of excerpts from Jung A Kim’s debut concert on Nathan’s cello: a program we’ll be unpacking piece by piece over the coming weeks, each fragment revealing a different facet of the instrument’s voice, and of Jung A’s extraordinary gift.
carcassi-cello
Video
Why a 350-year-old oak makes the world’s most expensive wine barrels
350-year-old-oak-wine-barrels
Something new to share: an exclusive interview with Jean-Luc Sylvain, owner of Sylvain Tonnellerie.
dara
Interview
Why we chose OAK
why-we-chose-oak
In 2006, I was a part owner and CEO of Kilikanoon, a boutique Australian wine brand. I used to receive daily news alerts with wine related content. One caught my eye. It described the recent felling of a magnificent 350 year old French oak, planted by order of King Louis XIV, the famous Sun King.
dara
Essay
Why we chose Seppeltsfield Centenary Collection Tawny.
why-we-chose-seppeltsfield-centenary-collection-tawny
After a long career as a professional cellist, a new millenium dawned, and serendipitously, I found myself deeply involved in the rapidly expanding Australian fine wine market. Seppeltsfield was a sleeping giant with a treasure trove of ancient fortified wines. Its impending sale was an opportunity too good to be true.
a-150-year-old-wine
Essay
The Last Teapot- an overlooked masterpiece by Georges Braque- co founder of Cubism.
the-last-teapot--an-overlooked-masterpiece-by-georges-braque
Georges Braque is best known as the co-founder of Cubism with Pablo Picasso at the beginning of the twentieth century. His very late works are little known, as most have never been offered for sale.
the-last-teapot
Essay
Paintings should be seen, cellos should be heard
paintings-should-be-seen-cellos-should-be-heard
“Jimmy’s Cello” is in fact how I came to know this amazing instrument. James Whitehead was an eminent British cellist who had emigrated to Australia after WW II, and subsequently had a wonderful career in Adelaide, as its preeminent cello teacher as well as a distinguished performer. His cello was legendary.
carcassi-cello
Essay
Georges Braque Fragments
georges-braque-fragments
144 fragments of Georges Braque's The Last Teapot, each a unique physical print with its own Bitcoin ordinal inscription.
the-last-teapot
DARArtNouveau
darartnouveau
Seven contemporary artists respond to DARA, a 350-year-old French oak. Each work is a triptych: an 18th-century Cassini map, a plate from an 1895 herbarium, and a new work on handmade paper made from DARA's wood.
dara
DARArtNouveau at ArtOnPaper 2026
artonpaper-2026
17th Century Tree | 18th Century Science | 21st Century Technology
dara
October 2, 2026

Become a Patron

Join our club, get involved and acquire your first work.